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Venus Anadyomene
Venus Anadyomene〔Ancient Greek: Ἀφροδίτη Ἀναδυομένη; ἀναδυομένη, ''anadyomenē'', meaning "rising up"; ''Aphrodite Anadyomene'' is preferred by some writers, for consistency.〕 (from Greek, "Venus Rising From the Sea") is one of the iconic representations of Aphrodite, made famous in a much-admired painting by Apelles, now lost, but described in Pliny's ''Natural History'', with the anecdote that the great Apelles employed Campaspe, a mistress of Alexander the Great, for his model. According to Athenaeus,〔Athenaeus. ''Deipnosophistae'', Book XIII.〕 the idea of Aphrodite rising from the sea was inspired by the courtesan Phryne, who, during the time of the festivals of the Eleusinia and Poseidonia, often swam nude in the sea. A scallop shell, often found in Venus Anadyomenes, is a symbol of the female vulva.
==Antiquity==
According to Greek mythology, Aphrodite was born as an adult woman from the sea, which also perpetually renewed her virginity. A motif of the goddess wringing out her hair is often repeated. The subject was often repeated in Antiquity, a fourth-century sculptural representation from a Gallo-Roman villa in Aquitania (Louvre) testifying to the motif's continued viability in Late Antiquity.
Apelles' painting was brought to Rome, but was in badly damaged condition by the time of Pliny: listing Apelles' best paintings, he noted "(of ) Venus emerging from the sea, dedicated by the late Augustus of blessed memory in the shrine of Caesar his ()father, which is called "The Anadyomene", praised in Greek verses like other works, conquered by time but undimmed in fame."〔Pliny, ''Historia Naturalis'' xxxv.91 ''Venerem exeuntem e mari divus Agustus dicavit in delubro patris Caesaris, quae anadyomene vocatur, versibus Graecis tantopere dum laudatur, aevis victa, sed inlustrata.''〕
The image of Venus Anadyomene is one of the very few images that survived in Western Europe in its classical appearance, from Antiquity into the High Middle Ages. Jean Seznec instances〔Seznec, B.F. Sessions, tr., ''The Survival of the Pagan Gods'', 1995:153 note 8, and 154 fig. 58 referring to Codices Vindobonensis 2563 and 2583x and British Library Royal Ms 19, C.1.〕 two images of Venus among constellations illustrating 14th-century Provençal manuscripts of Matfre Ermengau of Béziers' ''Breviari d'amor'', in which Venus is represented nude in the sea: "This extraordinary conservatism may perhaps be explained by the fact that the culture of the last pagan centuries remained alive longer in Provence than elsewhere."
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